MOST OFTEN THROUGH TIMES of despair, A HIDDEN voice INSIDE YOU WILL BEGIN TO CRY OUT.

oh god help us all 

            

[ALBUM 1]

JACOBTHEWILLIAM
& HIS WORLEY BAND
This is the first ever solo album released by Portlands own multi-faceted artist/producer Jacobthewilliam (Explorers of the Dreamworld, Lindsey Hall, The Vernons) at the young age of 18. This was his first attempt at writing the material for a rock album of which he would be entirely responsible for. Playing every instrument. Capturing Every sound. Writing every lyric and singing every vocal. As well being responsible for all aspects of production.
        "This was that time of my life - my first real confrontation with loneliness. This was that time after graduating high school when all my friends/music buddies left town to go off to college in many different far away lands. And me? Well, I stayed home & I was literally the only one to do so. i can remember having resentment towards my music partners for making the decision of disembarking the musical path and succumbing to university, a degree, and later a career. This fueled my fire to prove to them the mistake they'd made by de-committing to me, and everything we had built. I suppose that was a selfish outlook to have, but It became a personal challenge for me.
        I quickly found out how much I would miss our late night jam sessions, our friendship, and camaraderie. And i became jealous that i was missing out on all the parties and girls and all that college life entails. But then, on the other hand, I believed all that to be a distraction toward my creative development. All those feelings I had - I decided I was going to use them to my benefit.... I was going to combat those feelings by consuming myself with music. I turned it all into a 'me against the world' mentality and i used it as an endless flood of inspiration. And it really worked. To say I was inspired Is an understatement. I felt a creative freedom i had never felt before until then. I made sure to 'bite off more than i could chew' so to speak,  just to see how far i could go - and being confident that i really had no limits.
         I would wake up every morning around 7am, make some coffee, and head straight to the studio. I would just play freely on guitar or piano until I came up with something. Then I would record a scratch take/quickly improvised version of me playing and singing whatever i wanted to focus on. Then I would cook myself breakfast and work out the entire song in my head - the melody, the structure, the instrumentation and production. And while I sat down to eat breakfast, I would write out all the lyrics - everything. Then I would go back into the studio and listen to the scratch version i had recorded a bit earlier and make a note to myself to notice how the song is developing/taking shape. At this point I had a very clear vision of how the song was going to sound in the end, and each step it would take along the way. It was my job to carefully craft it layer by layer, all the while making sure not to lose its essence. I would start out with a metronome which i would play either guitar or keys over with the only intention of mapping out the structure - if it sounded like shit or whatever - this was a non-issue at this point. Using it as a template to guide me, I would first record drums. I did this by turning off the metronome and playing to my guide track. This was to give it more of a human-like touch in considering a 'pocket' or groove"
       One by one I layered all the instruments till I felt was enough. None of these songs were ever more than 10 tracks, I imagine. I didn’t spend too much time perfecting any single element of instrumentation. Most solos were done in less than 5 takes. However, I remember particularly taking my time on the vocals...
        by this time it usually around mid afternoon. This was hen i took a break. Not a quick 15 minute smoke break or whatever - i mean,  a few hour long break. I'd actually shut off all the studio equipment and go about my day. Normal people stuff. Completely resetting my mind so i could literally not even remember the song i had been working on all day. This was a very important aspect of my vocal approach. Up until this album, I had never attempted singing. Not like this. Not even close. I would wait until nightfall and I had a nice buzz going, then I would rendezvous back to the studio to complete my mission. I'd set everything up and get the song ready and hit record before listening back at what I had so far. I let it all come to me, then let it all go. " 
[An excerpt from inside the CD-case booklet]


[ALBUM 2]

CASSETTE RECORDINGS,
VOL I

Growing up, I used to carry with me a portable tape recorder everywhere I went with the intention of capturing ideas as they came flying by. I was always a believer that artistic ideas - visually and autitorally - cannot be forcefully developed into existence, but rather - these things exist somewhere between time and space, within another dimension that we as humans cannot yet conceptualize but all know it’s there. It exists. somewhere. Some people call this God. Others call it ————— And as creators, it is our job to recognize this resting place or “pocket” of intuitive knowledge…inventions… songs. Whenever we find resting place, as I like to all it, this is when true zen and euphoria or “being in the element” is figuratively breached.

Above everything else, I was somehow born with the burning desire to capture the sounds of daily activity, the awe-inspiring overtones of nature, or the cadence involved in communication between people - either speaking publicly amidst a group of peers, or speaking solely in secrecy to a soulmate. I wanted to capture this elation. Pain. Want. Persuasion and debate. The choice of words one uses in attempt to convince an absolute stranger or life-long lover to congress. Or, in other words, To.. “know what it feels like”

In addition to how individuals have their own characteristics, beliefs, and morals - from which their upbringing and environment plays a role... we must not undermine the importance of idol-ship to an adolescent coming of age. Aside from the well known folk singers and folk heroes in the American tradition, the man who fundamentally became the link between the voice of everyday folk and the masses. Because he too understood the importance of documenting the verbal cues of stories told into a time-capsule which could be sealed away and later reopened and further enjoyed with future generations.
As Alan Lomax - with tape machine in-hand- hunted his material, my approach was to allow this material to actually materialize around me anywhere I could go. Essentially documenting my journey of life. With an end goal to capture every auditory nuance in the universe.
I was sorta on my way in doing so when i began to notice it becoming increasingly difficult to find/get ahold of brand new blank cassette tapes! Only a few stores ever did carry them. And I used to buy a pack of 2 for $5... then they became 2 for $10 if I was lucky enough to find them, that is. 
So.... I managed to compile a modest 20 or so tapes (SO FAR!! I AIN'T DONE YET!!) . Indeed, My romanticized Lomax-like-musicologist escapades of discoveries are a bit underwhelming in comparison. And they now live quietly alone inside of a few cardboard time capsules (boxes) in the closet. Presently, whenever those melancholy types of days come by... when Im feeling reflective or just plainly uninspired... it arouses me to open up those boxes and sort through A&B sides of unlabeled cassettes I’ve managed record. It brings me back to that moment in time. That I cherish so much. That I am so thankful for.

I've recently began the long awaited process of transferring all those tapes into digital audio files. It has been such a tremendous experience I don't want it to ever end! So I'm kinda taking my time with it and trying to be selective about the things I believe are legitimately worth sharing or, more-so, worth investing the time to active listening. Certainly this will include all the musical ideas - complete or not - but most certainly any and all music made among gatherings of friends.

Here, i am releasing the first volume of songs. It means a lot to me because its friends (or strangers) playing together, and enjoying it! On every track is myself, solo, or accompanied with one or several different friends, in different situations or different environments. Hopefully you'll be able to pick up on it. Feel free to ask me anything. Whatever you'd like. Wheew, that was long ... I bet I lost most of you LOL. Oh well, fuk it.! Enjoy.... 

[ALBUM 3]

CASSETTE RECORDINGS,

VOL II

[ALBUM 4]

PROJECT FIXxED TIME

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